4.5. One of the few genuinely frightening films. The ambiguity in Henry James' original has been reduced by several degrees to a more explicit cautionary tale about sexual depravity and repression, but Clayton's adaptation manages to create an unsettling and hypnotic psychological maze of its own with fluid, seemingly effortless long takes, the distorting and contrasting effects of the simultaneous uses of deep focus and extra-wide angle lens, an eerie atmospheric soundscape, and Deborah Kerr's perpetually frightened expression.

尽管影片的前10分钟并不很吸引人，然而这部电视电影后面的70多分钟的感染力却超过一切院线电影的总和。非常紧凑的室内戏氛围。矛头直指社会的阶级问题。虽发生在上世纪10年代，天天摸日日摸对于如今仍旧有社会批判性，那个女子最终还是死了，她不是自杀，而是一桩集体谋杀，每个人手上似乎都沾着鲜血，皆有余孽

我看过的最XJB拍的电影

关于巴菲特的万象：爱阅读，价值投资，改变其一生的卡耐基课程，在自己的能力圈里工作，慢慢变富，尊重女性，护城河理论，工作狂，天天摸日日摸喜欢思考，生活白痴，卵巢彩票……

这剧本逻辑崩坏得不像碳基生物写出来的东西